boris bunnik has finished his third full-length album as conforce. entitled kinetic image, the ten-track album is to be released on delsin in november following on from his standout offering, escapsim, back in 2011. comes as double 12 inch in gatefold cover.

the third release for tici taci is a double a side - peach / deep blue from label boss duncan gray. both tracks feature the trademark tici taci sound of live bass and guitar blended with synths and audio treatments

re.you is back amongst the mobilee fold with a third instalment of his signature dark and heavy-hitting dancefloor beats. his masterful ep mind your head topped the charts in 2012, and this years drum-heavy summer smash anyway remains a firm dj favourite, even as the nights get longer and the season comes to a close.

the third release in danse clubs black series is a collaborative effort between dutch tech house hero lauhaus and countryman rik woldring with a standout remix from boris werner. lauhaus has long been at the heart of the underground electronic music scene, releasing on go-to imprints like 100% pure and area remote as well as his own soweso and we dig

volta cab brings us his third ep on moscow-based imprint whats in the box. volta cab, signed on such well-known labels as hypercolour and morris audio, to name a few, delivers three amazing house tracks, completed with remix by labels very own days of funk.

third romansoff on raw tools, romanian hypnotic style

deep site recordings presents karmine roscianos >sending my love ep<, exclusively on vinyl. karmine is no stranger to deep house fans around the globe with damn fine releases on imprints like um records, incepto deep, and city life. first off on the ep is his original track, sending my love. its a smooth deep funk dancefloor number peppered with groovy guitar, lush orchestral pads, and a sweet female vocal refrain. next up is a melodic and resplendent remix by vincenzo (dessous). placing the vocals more upfront, he then adds a wickedly infectious garage styled bassline and electric piano chords over the original sounds, creating a scorchingly deep track. the third song is another original from karmine, with you. beautiful piano lines coupled with funk bass and guitar flourishes soar over a driving deep house structure that accentuates a percussive discothèque feel. the final tune is a remix from alex neivel (large music/rvs). taking the original elements to a completely new place, alex emphasizes the late night mood with rich floating pads, dark spacey atmospherics, as well as perfectly timed rhythmical pauses.

the third installment from fifty fathoms deep sees steffen baldo aka ugly drums dropping four brand new cuts. fresh from the release of his fantastic new album saturn memories on quintessentials, here he offers four sublime trademark tracks all encompassing the inventive, charisma soaked vibes from what we all now expect from the cologne based producer

after widely acclaimed cathedral in january & emitter/collector in july, inigo reveals his third ep for 2013: three no nonsense tracks in his distinctive style: dark, refined and so very magnetic.big support by luke slater, adam beyer, dvs1, mark broom, norman nodge, rodhad

third release where the protagonists are nx1.one other confirmation of their sound devastating and powerful!end of dayz records was created in this year of changes, the end of an era, the beginning of other times

alcis three part series titled early beginnings draws to a close and firmly cements the young swiss producer as a house music star in the making. alcis first ever demo was sent to phil weeks at the start of 2013, and so impressed was the robsoul chief that he instantly signed all 10 tracks to the label. alci, robsoul and phil weeks are an ideal match, as this third installment shows once again, with his funky, looped, sample-based and heads-down jacking house beats aligning perfectly with both phils and the labels philosophy and output. its also clear to hear the influence of the classic french house sound & robsouls interpretation of it in alcis music. the first two volumes in the early beginnings series picked up support from mosca (radio 1 play), darren emerson, roberto rodriguez, round table knights, matthias vogt, dirty channels, catz n dogz, rolando, hot toddy and many more

back in may producer duo will & ink launched a new label. now they give us another glance into their musical universe with their second ep, wilson

nice price deal !!! samaan delivers a crushing ep here for his third 12 inch on one electronica. no question that this ep is a big un, and with a suitably freaky remix d marc cantu the deal is sealed with this bone-breaking trio of serrated bangers. and we aint talking no spiky sausages her

warm and crispy as always, the third monday night - mixed, structured and recorded live on tape. the whole ep is a cutting-edge merger between old school and modern, carefully crafted sounds, to forge an outstanding collection of deep house tracks with a timeless fashion.the opening track on side a serves a gentle two-chord loop, locked with a groove beat progression, whilst track two builds up a dense swarm of rapid drums, with synthetic bursts twirling on an energetic bassline. on the b side, a bare, rampant one note bass leads a haunting, gloomy first track, whose main theme is surrounded by recurring confused, scatterbrained vocal samples, while the second one is characterized by the simplicity of an upright, stabbing rhythm directing an emotive one note chord. the ending track develops around a big, serious bassline, pleasantly contrasting with a succession of dreamy, floating melodies and noises

fanzine records launches its third record, this time by one of the spanish techno classics. hd substance presents its own brand of techno in marriot room 808, based on analogue sounds, and traditional production and mixing methods. with a long history and a large number of published lps, hd joins the fanzine records family. early support by steve rachmad, chymera, jeroen search, simon garcia, djinxx, dvs1, paul mac, dimi angelis and many more

liss c. presents the third release on his own label. liss shows two original tracks created for those who love a certain type of acid and heavy sound. for both tracks there is a remix, on one side the rhythmic without break of the plant worker, on the other side there is a devastating and unmistakable remix by sleeparchive.

with code is law 003, label head moerbeck plays with this artistic device with great success >movies for the blind< takes direct aim at our imagination without allowing its intent to shine through to the surface. xvii from leipzigs institut für zukunft begins by laying an unshakable foundation for this short story with his eponymous ambient production. delta x, moerbeck and eomac are telling the rest of this mysterious story with a four-to-the-floor-beat.

optimo trax is an offshoot label of optimo music for tracks aimed at djs/dancefloors. yes, we know there are too many record labels already, but we felt an overriding desire to start another one as so much music that didnt seem quite right for optimo music (i.e. music that was specifically designed for dancing) kept coming our way. like the parent label, optimo trax will release music by new artists and excavate forgotten classics. luma is a project by dave clark from glasgow. dave had his first release as a member of state of flux in 1993 on t&b vinyl, the label twitch ran with his dj partner of that era, brainstorm. twitch and dave have continued to work together in various ways ever since. he has released records as truffle club, and as big ned on optimo music as well as working with twitch from 2005 - 2010 remixing a plethora of artists under the optimo (espacio) moniker before fatherhood necessitated him focusing on changing nappies rather than programming synths. dave has also recorded under various aliases for r&s, numbers, stuffrecords, dissident and wireblock. the twentieth anniversary of that first release seemed a fitting date for dave to unleash his monster new club music alter ego, luma on optimo trax. twitch thinks dave is the best producer in scotland and endlessly weeps into his gin and tonics about how unprolific dave is, so was ecstatic when the 4 killer tracks were delivered that make up this third optimo trax ep. these have been thoroughly road tested over the last few months at gigs around the world.

borai returns to helm tasteful nudes’ third release, *last time out*, demonstrating his techno chops in two different ways. the title track is all techno muscle, banging out a gigantic piano riff to match the slamming percussion and hypnotic undercurrents. *midnight run* imagines a race through a pitch black city, layering stark pads and sparkling riffs atop its gas-guzzling bass line. both whip the dance floor into shape.

with releases to his credit on labels such as warp records, rephlex, planet-mu and ninja tune, its fair to say that luke vibert knows a thing or two about electronic music. now he returns to lo recordings for the third installment of his acclaimed nuggets series, this time delving into the archive of the bruton music library to unearth some of the production music studios choice moments.

third part with more pounding underground techno

2014 repress! we are very glad to celebrate the 10th subotnik with romanian man of the moment ada kaleh. again he satisfied with high quality minimalism techhouse on his third vinyl only release. styled up with a lot of details and little soundscapes, it is just a journey to listen and dance to this music.. you will get what you expect!

alan backdrops first ep on enklav014. the third physical release for the italian label with salko. buried vaguely melodic ambiance grows and expands in the most surpising fashions within rigid structures.

2014 repress! vinyl only! knock knock proudly present their third release with yaya & jun akimoto.. incl remixes by egal 3 and seb zito

he rothmans label combines an unlikely link between football statistics, some of the best (or worst) haircuts to grace the european version of the game, with jacking drums and acid-based rhythmics. the label dedicates its third ep to french striker dominique rochetea, with a various artists ep as strong as the back four of arsenal s 98 fa cup winning side. the nigel winterburn of the release is coyote s without the e , a squelchy and balearic groove with psychedelic vocals not too far off from dj koze mrs bojangles . aimes and scott fraser provide the ep with the composure of tony adams and the brute force of martin keown with their respective synth-led productions the kontemplation of kosmic order and heat for dust , while on the right - a would be lee dixon - drvg cvltvre, supplies the master builder , an ebm and industrious dancefloor workout.

after take 1 comes take 2, it sometimes really is that simple. together with the pre-take that came out before the summer this third volume in wphs our beat is still new project completes the 12 tracks that form the album. more members of the core wph family are on board here, but we also welcome some newcomers to the label.

from the tropics comes whiskey disco, a sneaky re-edit label bent on dredging the decanter for diffident dancefloor genius from latent disco perpetrators. it is loosely connected to sleazy mcqueen and his assorted cohorts.
whiskey disco #22 features the second ep from b.g. baarregaard, a wonderful producer currently residing in oslo, but who is never too far from the blue lagoons of his home in iceland. b.g. has produced three sublime songs. the sound is an acid freak out of love de-luxe. it grabs and loops, hooks and tugs at your ears, then feet until you, you know. on the flip, the return both promises and delivers a mark morrison had he stayed in miami rather than returning to england. b.g. uses the third song to showcase his own song and instrumental skill in the desire. there is a magic in the air, that keeps us dancing.

on the third release abstract animal returns to heavy peaktime techno. on the a side you can bear witness monomoods ten minute analog threesome with his machines. on the b-side the fachwerk mastermind mike dehnert transforms the acid - vault, taken from the shtum001, into a dark and hypnotic techno cellar. rumbling rhythms and sharp pads keep your mind awake, when monomoods *the siren* on b1 howls through your ears.

third ltd puas puas from funky deep house to athmospheric techhouse! again vinyl only

the young guns of karlovak with a sub series... karlovak chrome. the murkier and more twisted sound for the demented hours at the floor. this is the third side of the coin from mr. tophat & art alfie. limited supplies... so dont sleep on this one!

the third in a series of electronic / acid / techno 12s from the mighty clan destine

on his third time out, the horseman has decided to take some time to himself and rethink all of the suffering that he has caused. after his never ending >midnight ride< he paused to take a break and fell deeply asleep. he awoke to the sounds of birds singing and the piercing sunlight in the early hours on the hilltop of >northfield lane<. he felt joyous for a split second. could this be the end of his misery?

french producer kool vibes returns with a third offering on his own self titled label, continuing to mine that sound classically rooted in the early 90s east coast swing of new york and new jersey. vibes abound on > u got me< with the titular vocal hook leading a orchestra of bouncing percussive rhythms, spritely neon dipped keys and an infectious bassline thump, whilst > house music< shows kool vibe dipping into the sounds of vintage murk productions with equal aplomb

the >baumgartner< release marks the third solo ep by van bonn after his >maserung/schwerpunkt< and >onwards< on telrae in 2012. so it was high time for another solo release with him. his new track is again a timeless classic, gracefully flowing without much of an interruption, it is his most melodic release up until now. the track is nevertheless very much detached in style from what van bonn has released solo and together with stefan gubatz on telrae. the track is at ease and at the same time connects to a feeling of melancholy. marko fürstenberg wrote the remix on the flip side transforming the original into a tight and bass heavy dub track. marko breaks with the flow of the original and creates a much more rigorous dance flloor rocker that introduces one element after the other. this is not for the weak and for bass lovers only!

athens-based lower parts label has released its third vinyl ep, a debut single by ksts, featuring five uncompromising, acid-drenched techno/house jams. expect proper, raw warehouse cuts with that typical 90s flavour 5 track ep , acid rawness - techno house jams pressed on clear transparent 12 inch vinyl. mastered by marco antonio spavent

bedroom community releases daniel bjarnasons over light earth on september 30th 2013. this is the icelandic award-winning composers second solo-album and third release on bedroom community, hot on the heels of his solaris collaboration with labelmate ben frost. bjarnasons critically acclaimed debut album processions was hailed by time out ny as coming eerily close to defining classical musics undefinable brave new world.on over light earth the intensity of bjarnason s orchestral voice is captured through meticulous close-micing and multitracking, a recording process that sets this recording radically apart from that of conventional orchestral recordings.

high sheens third release of the year comes from sheffield based newcomer pegasus, who has recorded some classic garage sounds while retaining a unique style for 2013. the package comes complete with a stripped back warehouse techno remix from innershades and a deep house reworking from high sheen family lovers rights.

mr. stefanik concludes his >days of old< ep series on kann with this third and final part. as highly valued friend and artist from the labels neighborhood he locks his diverse journey to its own past with another awesome track collection. as part >one< and >two< already certified, kann15 teases out daniel stefaniks many-faced shining talents in techno and housemusic.

asc & synth sense join forces to offer the third installment in the vinyl only auxiliary white label series. taking things further afield from the previous two in the series, this one sees asc and the synth sense boys in super abstract and experimental mode. pressing on bright orange-red 10 inch vinyl.

a firm favourite in the rebellion camp, prolific producer aidan lavelle makes his third appearance on the imprint this time with the immense direction ep, comprising of three outstanding big room tracks that will blow your mind. powerful build ups and epic breakdowns will dominate the dancefloor while trippy fx, rolling grooves and deep tribal undertones will circulate the atmosphere with aidans vocoder enhanced vocals adding a real stand out element. all three tracks are to be played loud for full effect and maximum destruction on the dancefloor

on perfect view, swedish producer hannes norrvide returns with his third full length and it is warmer and more inviting than any of his previous work. the album is composed of largely instrumental pieces, focusing more on beats, samples and general ambiance than its predecessor, last years growing seeds.

third part of three, limited green colured vinyl pressing

drei farben house returns on tenderpark with his third album choice item, consisting of eight light-footed slices of soul and disco as perceived through housetinted glasses.

house maestro nile delta returns as the architect of the aztec ep, his third release for cut copys label cutters records. building on the solid foundations of his debut release *channel / all this* and the anthemic vinyl-only tune dance to the rhythm this third outing provides the most effortless and promising release to date.

*turn me on* by jay w. mcgee is the third release in a series of sought after boogie, disco and modern soul re-issues on légère recordings. the original 12inch vinyl single appeared on the tiny canadian indie label love productions in 1980 and is immensely hard to find these days. *turn me on* is an unusual production for its time, grooving along unbelievably deep in a spartanic arrangement, and fuelled by vocals which are not too far away from sylvesters iconic style of mixing soul, disco, funk and jazz.

candy tongue is the second single taken from the upcoming third studio album lost by trentemoeller. the beautiful song features the vocals of danish singer/songwriter marie fisker. trentemoeller already teamed up with fisker on a song for the into the great wide yonder lp and shes also become a firm member of trentemoellers live band, who are touring the european summer festivals at the moment.

the third installment on public possession features our man bell towers previously known for his releases on hole in the sky and internasjonal as well as his party series bamboo musik that regularly errupts in his hometown melbourne.

the third gotwax! ep contains two fantastic detroit synth- & drum-groove tracks made with true love and real attitude. both tracks come from our new artist >florent/m<. >chemtrails< on the a-side instantly takes you up into the clouds, with a beautiful synth chord sequence that twists and glides over unique and energetic drum programming. the elements weave around each other over time and space, painting the sky with a question for the listener and the dancer. on the flipside, >message for the ground crew< sets the tone with a percussive conversation of high mid and bass notes, alive and full of curiousity. surreal chords arrive to the scene and pan across the horizon, anchored by an addictive rhythm that keeps evolving. a foreign language from another dimension, a sign of life. do you read us? mastering and vinyl-cut done by andreas >loop_o< lubich of calyx mastering.

the wandering artists are back for the third instalment of the birdsmakingmachine series, this time again going deeply into the abysses of house music. >multiverse<, occupying the whole a-side, is a deep dancefloor affair filled with endless pads which, having been layered onto elaborate drum grooves, fuse together into the endless horizon. the b-side goes into similar territory, while still managing to create a slightly different ambience: >40th of may< uses intricately groovy steel drum patterns on a long, never-ending journey through the deep depths of the ocean, as for the end credits, >dune< rounds off the ep with an instantly hypnotising groove that melts into delayed vocals, slightly darker pads and a galloping, yet smooth sine-wave bassline.